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2016 single by Meghan Trainor

"No"
A portrait of a young woman with red hair looking straight at the camera, sporting a green top. To her right stands the title, "NØ".
Unmarried past Meghan Trainor
from the anthology Thank you
Released March 4, 2016 (2016-03-04)
Recorded 2015
Studio Ricky Reed's Studio (Elysian Park, Los Angeles)
Genre
  • Dance-popular
  • R&B
Length 3:33
Label Epic
Songwriter(south)
  • Meghan Trainor
  • Eric Frederic
  • Jacob Kasher
Producer(southward) Ricky Reed
Meghan Trainor singles chronology
"Boys Like Y'all"
(2015) 		"No"
(2016) 		"Me Too"
(2016)
Music video
"No" on YouTube

"No" (stylized in all caps) is a song recorded past American singer-songwriter Meghan Trainor for her second major-label studio album Thank you (2016). Ricky Reed produced the vocal and wrote it with Trainor and Jacob Kasher Hindlin. Epic Records released the track on March four, 2016, as the lead single from the album. Featuring guitars in its instrumentation, the dance-pop and R&B song draws influences from doo-wop, with lyrics about unwanted advances from men towards women.

Music critics compared the song's composition to pop artists of the late 1990s and early on 2000s, including Britney Spears and NSYNC. "No" peaked at number three on the US Billboard Hot 100, and also reached the top 10 in Australia, Austria, Canada, Israel, Latvia, South Africa, and Scotland.

Fatima Robinson directed the music video for "No". Information technology features Trainor performing alongside an all-female dance troupe in a warehouse. Disquisitional commentary compared it to the works of Spears and Madonna for its sexual nature, and identified it equally new territory for Trainor due to its darker palette. Trainor performed "No" on television shows such as the third iHeartRadio Music Awards, The Graham Norton Evidence, The Ellen DeGeneres Bear witness, and the 2016 Billboard Music Awards, and included it on the set list of her The Untouchable Tour (2016).

Background and release [edit]

Referring to her meeting with label director 50.A. Reid, Meghan Trainor revealed that he said she so lacked a proper lead unmarried for her upcoming album, and that she "[had] an album of Nice Meghan".[1] Trainor said it took little time to craft the vocal with producer Ricky Reed, explaining that she told him that they "needed a large eff-you lot song, an canticle about girl ability that sounded like nothing on the album".[1] The duo wrote "No" the aforementioned twenty-four hours. She went into the studio wanting to write a "big, aroused anthem", simply described the terminal product as an canticle well-nigh independence for women.[2] Trainor added that she volition "never forget that moment" when she was "too scared" to play it for Reid, but he played it more than than 29 times.[1] Ultimately, the song changed the direction of its parent anthology, as they started experimenting with new musical styles and produced vi more than tracks.[3]

Trainor stated in December 2015, that she had nigh completed her 2d major-characterization studio album, describing the cloth as "something that'southward not on the radio" and "different".[4] She began teasing the lead single on Twitter in late Jan 2016.[5] In a Fuse interview published on February 2, Trainor confirmed the song title as "No" along with a March release date, and stated that it is an anthem for women near telling a man that they are "out hither on [their] own" and good with it. She also said that the theme of the song is her in a club, where a man approaches her and she goes "no no no. I don't need your easily all over me. I'm practiced. I'm gonna trip the light fantastic on my own with my girls".[six]

On March 1, 2016, Trainor unveiled the single artwork for "No" on her social media accounts.[7] It features her with crimson pilus in an emerald green-colored dress.[8] It was digitally released on March 4, along with the preorder for its parent anthology Thank You (2016).[9] [8] In the United states, "No" was serviced to adult gimmicky radio stations on March 7, and to contemporary hitting radio stations the side by side day.[ten] [eleven] The song was selected as the 'Track of the Day' past BBC Radio 1 on March vii, and sent to gimmicky hit radio stations in Italy on March 11.[12] [13] A karaoke version of it appears as the 18th track on the Japanese edition of Thank You.[fourteen]

Composition and lyrics [edit]

Musically, "No" is a dance-pop and R&B song that draws some influence from doo-wop, with guitar instrumentation.[fifteen] [16] [17] Trainor opens information technology with modern doo-wop vocals, followed past an early millennium-popular beat and guitar;[fifteen] for Billboard 's Joe Lynch, information technology features retro music playing through an "old-timey crackle" before coming to a terminate, followed by a vanquish reminiscent of The Neptunes.[17] Lyrically, the song discusses men who approach women and "can't take the hint" when their advances are rejected according to Los Angeles Times' Gerrick Kennedy.[3] Trainor confronts a guy who won't stop pursuing her in a club: "My proper name is no, my sign is no, my number is no, you lot need to let it get", she sings during the "catchy, chant-along" chorus.[18] The lyrics were noted to be "clever, sassy" and a brandish of attitude. In the pre-chorus, Trainor tells women everywhere to pay attention and follow her lead.[18] When asked about the vocal'due south inspiration, Trainor stated that she wanted to be better at being unmarried, and that the song is "a big anthem" for helping young girls and teens who are growing up realize that they don't need a man, and that they "tin go out with [their] girls and have merely as much fun".[19]

"No" has been noted to showcase a more grown-up and "in-charge" side of Trainor compared to her previous work. Its lyrics involve themes about telling a assertive male counterpart to footstep back.[2] It has been described as "earwormy" and called "familiar yet altogether new territory" for her.[19] Fuse'southward Emilee Lindner noted the song as a deviation from Trainor'due south earlier piece of work too, writing that she "ditched the upright bass and the Hammond B and swapped in a '90s pop drum kit" and likened information technology to Mýa's 2003 single "My Love Is Like...Wo". Lindner added that it was lyrically reverse to Trainor's debut, stating that it'southward an empowering song, but without the problematic lyrics in her previous work. She called it a "apartment fuck-you" to entitled men who approach women with unsolicited advances.[xx]

Critical reception [edit]

Writing for Billboard, Joe Lynch stated that Trainor made it articulate on the song that at that place is more to her than "what you think you lot know". He added that she was confident on "All About That Bass", but on "No" she's entirely in charge.[17] In a positive review, Brennan Carley from Spin wrote that "No" "is definitely a new management for Trainor, who's mostly tossing aside her sock-hopping persona for no-nonsense truth-telling", and added that it "combines everything y'all loved (or hated) about early NSYNC and Britney Spears melodies".[21] Digital Spy's Amy Davidson described the song every bit "gloriously '90s".[22] Forbes contributor Hugh McIntyre described it equally a noticeable divergence from her previous work, adding that it is "sultrier and a trivial more aggressive".[23] Lucy Bacon of MTV News called information technology a "girl power anthem".[24] Mike Wass of Idolator praised the song, describing information technology as "slinky, turn-of-the-millennium R&B/pop" and tipped it as a cantankerous between Christina Aguilera and Destiny's Child.[25] According to Time 's Nolan Feeney, the song has NSYNC vibes, and probably could take been a Britney Spears song xv years ago.[26]

Isabella Biedenharn of Amusement Weekly wrote that Trainor "serves up a tricky sundae of whistles and sassy quips" on "No".[27] Writing for Newsday, Glenn Gamboa opined that she puts her ain twists on the usual club tale, using a Destiny's Child-esque mode to create an empowerment song that is "so catchy that it'south tough to milkshake".[28] Describing it as a "clubby/girl-group rumbler", Knoxville News Sentry 'due south Chuck Campbell stated that her brush-off of a suitor on it is playful.[29] Chris Conaton of PopMatters wrote that "No" fits right in Trainor'south wheelhouse, but described it every bit a far cry from the doo wop and early girl grouping-inspired songs on her debut record.[xxx] Spin'south Dan Weiss stated that the song, which has a chorus influenced past TLC, wipes out the "pastel-colored trauma" from "All Almost That Bass", calling the terminate event seamless and glorious.[31] Co-ordinate to Slant Magazine 's Alexa Camp, information technology pretends to be a suffragette's anthem as if "rejecting an unsolicited suitor were the ultimate expression of female person agency".[32] Writing for ABC News, Allan Raible stated that "No" has "its eye in the right identify", but ends up being gimmicky. He added that the song is built around a watered-down version of music released by Destiny's Kid and En Vogue years earlier.[33]

Billboard named "No" the 100th all-time song of 2016, writing that "after decades of men singing to women they know 'desire information technology' on the dance floor, Meghan Trainor hits the lodge and One thousand.O.'s the entitled male ego with one simple discussion: 'No'", describing it as the middle ground between "Dear Future Hubby" and "actually finding that hubby", adding that she "shut[southward] down a lot of bull" on it.[34] On the other hand, Fourth dimension named "No" the 8th-worst song of 2016, noting that Trainor had been criticized in the by for "espousing anti-feminist messages in her lyrics and interviews", and that "'No', on its surface, "seemed like a corrective". The staff called the vocal's message "flimsy" and its tune "uninspired and repetitive", while also asserting that it showcases her "blaccent", and called it "a noteworthy example of the kind of cultural appropriation that has plagued popular music throughout its history".[35]

Chart performance [edit]

Trainor's highest debut, "No" entered at number eleven on the US Billboard Hot 100 issued for March 26, 2016. The vocal debuted at number 21 on the Radio Songs chart, the highest entry since Lady Gaga's "Born This Style" (2011).[36] On April ix, 2016, it moved from number 12 to number half dozen on the Billboard Hot 100 and became Trainor'due south quaternary elevation-ten entry.[37] "No" peaked at number three in its fourth week on the chart.[38] The Recording Industry Association of America (RIAA) certified the song double platinum, which denotes two one thousand thousand units based on sales and track-equivalent on-demand streams.[39] On the Canadian Hot 100, information technology reached number ten and was certified triple platinum past Music Canada.[forty] [41]

"No" debuted at number 59 on the UK Singles Nautical chart issued for March 11, 2016.[42] Following Trainor's performance of the vocal on The Graham Norton Show, it rose from number 23 to its peak of number 11 on April xv, 2016.[43] The British Phonographic Industry (BPI) certified it Gold.[44] In Australia, "No" reached number 9 and was certified triple platinum.[45] [46] The song peaked at number 18 in New Zealand and was certified Golden.[47] [48] Information technology charted within the meridian 20 of national tape charts, at number one in Latvia,[49] number two in South Africa,[50] number three in Israel,[51] number 7 in Austria,[52] number eight in Scotland,[53] number 12 in the Czechia,[54] Germany,[55] Hungary,[56] number 13 in Argentina,[57] number 15 in Kingdom of spain,[58] number 19 in Slovakia,[59] and number 20 in Ireland.[60] "No" received a double platinum certification in Poland,[61] Platinum+Gold in United mexican states,[62] platinum in Spain,[63] and Aureate in Belgium,[64] Frg,[65] Italy,[66] Sweden.[67]

Music video [edit]

Background [edit]

Fatima Robinson directed the music video for "No", which was filmed on March 4, 2016.[26] [68] It premiered on Trainor'due south YouTube and Vevo accounts on March 21.[69] To represent the new musical direction she took with the vocal, she wanted its video to be darker and more sexually charged than her previous works.[70] Trainor aimed for it to be antipodal of her bright and colorful music video for "All Near That Bass", but "just as awesome".[26] She told Billboard during rehearsals that she danced "more than we've ever danced in my life" in the clip.[17] Trainor's stylist, Maya Krispin, picked outfits that Trainor could comfortably execute choreographed trip the light fantastic toe routines in, including a light metal gilt glaze designed by Isabel Marant, a black sequined blazer past Veronica Beard, and a customized crimson outfit by Michael Costello. Krispin solely designed the rest of Trainor'southward ensemble: a blackness one-piece with a bra top, and a fishnet bodysuit.[lxx]

Synopsis [edit]

Women in fishnet dresses wrapping their hands around each other.

Critics observed the video'south sexual nature as a noticeable departure from Trainor's previous work. It received comparisons to the works of Madonna and Britney Spears.[71]

In the music video, Trainor walks in an abandoned warehouse filled with smoke and old machines.[72] [73] Dressed in the metallic silver jacket, she performs a choreographed dance routine with a female person dance troupe.[71] Black and ruby-red shots of a female person silhouette are interspersed with the routine, which MTV News' Sasha Geffen deemed reminiscent of '90s iPod commercials.[74] In another scene, Trainor, in the fishnet bodysuit, entwines her arms with the troupe, and brushes her cleavage; Evan Real of Us Weekly compared it to Spears' music video for "I'm a Slave 4 U" (2001).[69] [75] Trainor proceeds to sway her hair in front of a high-powered fan.[69] The clip concludes with all previous scenes meshed with shots of women property torches.[73]

Reception [edit]

Critics compared the music video to artists including Spears,[71] Destiny's Kid, and Janet Jackson.[76] [74] [77] Lynch idea the clip marked a shocking transition from the low-cal colors and "vintage beautiful tone" featured in Trainor's early videos, describing information technology as a "much sexier look" for her. He compared the video's atmosphere to 2000s Spears and 1990s Madonna clips, and Trainor's outfits to the ones the latter wore during the promotional cycle for her album Erotica (1992).[71] Atkinson described Trainor'due south look every bit "tough-and-sexy" and found the clip "very Y2K-leaning".[78] Real thought it recalled "killer choreography and coordinat[ed] outfits" popular in the early 2000s, which was new territory for Trainor.[75] Geffen thought the video features "major '90s pop vibes" reminiscent of TLC.[74] John Paul Stapleton of The Boston Globe opined that the clip shows Trainor's seductive side, reminiscent of Jackson in her heyday.[77] Osterheldt preferred the song to its music video, simply said Trainor'south choice to be sexual in the latter strengthened the song's message, saying, "too often men call up a woman's clothes or demeanor mean that [...] they are entitled to her body".[79] In a less enthusiastic review, Brodsky found the prune endearing just thought Nicki Minaj played "the underground dominatrix" better in her music video for "Only" (2014).[80]

Some critics discussed Trainor's performance in the video'southward dance routine. Joey Nolfi of Entertainment Weekly noted that different her clip for "Similar I'm Gonna Lose You" (2015), Trainor attempted "genuine popular star choreography" in the "No" video.[72] Lorena Blas of USA Today likened the choreography to the piece of work of Missy Elliott, and Destiny's Child's music video for "Jumpin', Jumpin'" (2000).[76] Nick Maslow of People called the dance moves keen and Trainor's hair in the clip "undoubtful[ly] GIF-worthy".[69] Dennis Hinzmann of Out was critical of Trainor's dancing, noting the background dancers upstaged Trainor and fabricated her look evasive.[81]

Live performances and other usage [edit]

Trainor performed "No" live at the third iHeartRadio Music Awards on April 3, 2016; Billboard 's Joe Lynch ranked it as the 7th best performance of the night, complimenting her song delivery only noting she looked uncomfortable executing the dance sequence.[82] On Apr viii, she reprised the song on The Graham Norton Show.[43] Trainor sang information technology on The Voice Great britain 'south 5th season finale on April 10,[83] and in a sparkly skirt and military machine jacket on The Ellen DeGeneres Show 10 days later. She accompanied both performances with one-armed choreography.[83] [84] On May 22, 2016, she performed "No" at the 2016 Billboard Music Awards,[85] in a multihued and spangly dress while strolling through the crowd; Rolling Stone was critical of the performance, deeming information technology ane of the night'due south worst, information technology stated that Trainor failed to "sell her striking onstage" and was upstaged by the celebrities in the audience and their glowing wristbands.[86] Trainor reprised the vocal for Today 's Citi Concert series on June 21, 2016.[87] She included it as the last song on her setlist for The Untouchable Tour (2016), during the encore.[88]

A-cappella group Pentatonix released a cover version of "No" via their YouTube aqueduct in April 2016, which Trainor praised on Twitter.[89] On Apr 7, Allison Iraheta and other contestants covered the song during the season 15 finale of American Idol.[90] Information technology is featured in an episode of the American TV serial Superstore.[91]

Credits and personnel [edit]

Credits adjusted from the liner notes of Give thanks Y'all [92]

Location
  • Recorded and engineered at Ricky Reed's Studio, Elysian Park, Los Angeles
  • Mixed at The Carriage House, Nolensville, Tennessee
  • Mastered at Sterling Sound (New York)
Personnel
  • Ricky Reed – producer, songwriter, keyboards, piano, programming
  • Meghan Trainor – songwriter
  • Jacob Kasher Hindlin – songwriter
  • Ethan Shumaker – engineer
  • Chris Gehringer – mastering
  • Manny Marroquin – mixing

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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Source: https://en.wikipedia.org/wiki/No_(Meghan_Trainor_song)

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